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একতারা

Ektara

The Spiritual Heritage, Craftsmanship, Sonic Philosophy, and Living Traditions of South Asian String Instruments

Led by: Mohammad Jakir Hossain

Title sponsors

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Ektara — The Spiritual Heritage, Craftsmanship, Sonic Philosophy, and Living Traditions of South Asian String Instruments is a research and documentation initiative.

Through it we explore and preserve the heritage, spiritual and philosophical significance, construction craft, playing conventions, use of sound, and the living knowledge and cultural continuity of the ektara and related string instruments. The work is carried out across various regions of Bangladesh and West Bengal.

In presenting this mystic current of South Asian art, literature and music to the wider world, we welcome the participation and wholehearted cooperation of everyone.

Documentaries

Essence of inner healing- Crafting Oriental Music Instruments

The rich heritage of Oriental arts spans centuries, encompassing both thriving and endangered forms. Oriental music, steeped in cultural healing traditions, has seen a shift as modernization favors global instruments over traditional ones, leading to neglect of indigenous musical practices. We are delighted to extend an invitation to you to support Obokolpo’s mission in preserving and promoting traditional Oriental music and instruments. Join us as a sponsor, donor or contributor for our upcoming instruments exhibition, workshop, seminar, and cultural events. This event will feature meticulously crafted traditional Bengali folk instruments, interactive workshops, and insightful seminars, drawing the attention of reputed and enthusiastic individuals. Script and voiceover: Lucy Tripti Gomez Documentary development: Kazi Sushmin Afsana Direction and audio-visual: Mohammad Jakir Hossain Obokolpo Bangladesh

7.28mins

Take part

Participation / Consent Form

If you are an artist, craftsperson or knowledge-holder taking part in the Ektara research, please complete this form. You may also download and complete it on paper.

Fill in the form